Cramond Island, Forth Bridges etc

Going through the Oxford Guide to Literary Britain and Ireland yesterday, I found a few interesting things. Most of these weren’t new to me of course, but some of them were relevant to Litcors.

Take for example, Kathleen Jamie’s poem Cramond Island. The following excerpt appears in the book:

Most who choose the causeway cross
for a handful of years
turning back before the tide
cuts them off.

Reading of Rebecca West (who I mentioned previously on this blog), we find she spoke of “the Scottish blight that ruined my early life.”

It also mentions Tom Stoppard’s play Albert’s Bridge (1967). which is based on the Forth Bridge, and in which we are told “Young Albert is charged with the task of painting the Forth Bridge” which would take him years to complete, if indeed he ever completed it at all.

External link and a footnote

By a nice bit of serendipity, I see Edindrift has beaten me to a post on Cramond Island today…. Here’s the link:

Rebecca West

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A lot of things come through Facebook – good, bad, and often ugly – but it was interesting to see this quote from Rebecca West (1892-1983), which many will agree with, and some even recoil from. Rebecca West was a highly interesting woman, and  a sometimes contradictory one.

She is also part of the story of literary Corstorphine.

Who she?

Rebecca West was born Cicely Fairfield in County Kerry. She was a noted journalist, author, literary critic, and also the “other half” of the science fiction writer H.G. Wells. Their son, Anthony West was a noted writer in his own right.

Her output was huge, and she contributed articles to major newspapers and magazines on both sides of the Atlantic. It is difficult to summarise it all here.

Cicely (Rebecca) had a difficult childhood. Her father, Charles Fairfield was an Irish journalist who went bankrupt. He abandoned his family when Cicely was only eight, leaving Isabella, his Scottish wife, to raise them by herself. Isabella took the family to Edinburgh, where Cicely went to George Watson’s Ladies College on a scholarship. Cicely left school when she was sixteen with little or no formal qualifications.

Despite her father’s abandonment, she and her sisters all went on to lead successful middle class lives. One became an early female doctor and barrister.

Cicely herself would attend the Women’s School of Gardening at Kaimes Road in Corstorphine (on the west side of the zoo). This was a pioneering feminist institution – and other graduates included the Borders poet Madge Elder. Both of them would end up being involved in political activism, and the women’s suffrage movement.

She took her pen-name, Rebecca West from a character in one of Ibsen’s plays, a reminder of her career as an actress.

Novelist

West wrote fourteen novels, several of which were published after her death. Return of the Soldier (1918) is about the effects of WWI, while The Judge (1922) deals with the women’s suffrage movement. Many of her other works are romans à clef – i.e. disguised semi-autobiography such as Harriet Hume which is about an accomplished piano player held back by her husband (much as her mother Isabella had been).

Influence

No single form or genre was sufficient to contain her energy, and she lived as hard as she wrote. Rebecca West went everywhere, read everything, knew everyone. As Bonnie Kime Scott says in her editor’s introduction, “To read her letters in an informed way is to receive an education in the culture of the twentieth century.”

  • Hilary Mantel, in “Conservative Rebel”, a review of Selected Letters of Rebecca West, in The New York Review of Books (29 June 2000)

West accepted a DBE in 1959. By this stage, she had swung well away from the left-wing politics of her earlier life, so this was hardly a surprising decision.

She was responsible for covering many of the major events of the twentieth century – the beginnings of formal apartheid in South Africa in 1960, the Nuremberg Trials after the Second World War, the trial of “Lord Haw Haw” and many others.

External Links