It’s here

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After much ado, Literary Corstorphine is here. It’s taken too long, I know… but further details will follow, when I get a few more things ironed out. Many thanks for your patience.

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T2: “I’ll Be Back”

Given the rave reviews I kept hearing of Trainspotting 2, I went in with low expectations. I’m like that. I’m not one for hype. T2 has quite a few connections to this bit of Edinburgh, like its predecessor, whether it’s the scenes at the airport, or on the tram. We also get to see Diane Coulston (Kelly MacDonald) again, who is still far posher than the original character in the book who lived in Forrester Park and went to school over the road…

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T2: probably the best thing which has happened to Edinburgh Trams.

The action is supposed to take some twenty years after the original, but includes numerous clips and references to the original film, so that in no way is it a stand-alone piece. (Choose what?) We get to see quite a few actors from the original film too – whether we need to or not – and some of them seem to have a couple of lines (Shirley Henderson’s Gail Houston?) and/or play little part in plot development.

There are quite a few plotholes, loose threads and badly resolved scenarios in T2. They are a little hard to explain without giving too much away. But there are some good points as well. Spud (Ewen Bremner) is the true hero of the story, and is curiously likable.

Trams and Brexit

Heroin addiction and theft may be some of the last things most people could think of as “cool”, but T2 manages to top the stigma of the original by managing to deal with two of the Cinderella causes of the last few years – trams and the EU!

T2 has probably been the single best thing to happen to the beleaguered Edinburgh Trams Project. They have been controversial to say the least, and the city must have leaped at the chance to bask in the reflected glory of a new Trainspotting film. There is a great scene where Renton rides from the airport into town on the tram (which is pretty expensive in real life – ouch!), and you get to see speeded up footage of the journey from a roof cam. South Gyle has never looked so good.

T2 contains some very transparent Europhile propaganda. A bit of a case of too little, too late, you might think, with Brexit and all…significantly, one of the major characters of Porno, Nikki, is turned into Veronica, a “new European” from Bulgaria, and Renton talks with a Slovenian woman near the beginning who welcomes him to Edinburgh. There are two very short scenes which are filmed in Amsterdam and somewhere in Bulgaria (so short I’m not sure what the point in sending a film crew over to either of these places was),but this does seem to tie in with the pointless cameos of certain characters from the original. In another part, the characters apply for an EU development grant and make a sentimental appeal by showing footage of old Leith. (Much the same happened in Filth also an Irvine Welsh adaptation – a few short scenes in Hamburg, that almost seemed tokenistic.) In the original Trainspotting, there is a scene in London and a cameo from an American – maybe this demonstrates shifting loyalties, although the director Boyle is himself English of course.

And there are other things in it. The Scottish Parliament. Harvey Nicks. I’m not much a fan of the latter, but devolution is at least still popular. There are the usual tedious football references (Is Hibs the only team people locally support or have heard of?) and the city’s so called saunas get a look in.

Trainspotting in Time

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Guess who lives in here?

Twenty years is a significant chunk of anyone’s life – nearly as long as I’ve lived where I have – but in some terms, it is interesting to see what has and hasn’t changed in all those years. The airport has become notably stranger – as you can see in the film – and more threatening (ugly security measures everywhere). The actors all look amazingly similar to their old selves – apart from Robert Carlyle – and the film has messages about the danger of revisiting the past.

Although there is twenty years between the two films, the relationship between the books and films are a bit more complicated. Time for a bit of Trainspotting in Time:

  • Trainspotting – Book 1993, Film 1996 (three years between book and film)
  • Porno (Trainspotting 2) – Book 2002, Film 2017 (fifteen years between book and film, a whopping twenty five years after Trainspotting the novel, more if we go back to when some of it was written)

In other words, Trainspotting was a product of the late eighties and early nineties, filmed a few years later. T2 deals with four different time periods –

  • The Seventies? – We see footage of the characters’ childhoods.
  • The early Nineties (and Eighties) – all the references to the original film and novel.
  • The late Nineties and early Noughties – when Porno itself was written.
  • The Modern Day – where most of T2 is actually set.

This mashup can be seen in the soundtrack. Trainspotting mixed up nineties and seventies music, Trainspotting 2 includes music from the seventies, eighties, nineties (1690s?) and the present day. This is probably one of the reasons it is less iconic, along with the constant references to the original.

This may all seem like nerdy number-crunching – it is – but if you’re interested in where and when certain things are based, it leads to some interesting questions. I even suspect I know what the real life counterparts are to certain people and places in the book… but I’m saying nothing.

The Two Welshs

Cymro 1: Louise Welsh

20151112_173256[1]Our first Welsh with local connections is novelist Louise Welsh. Ms Welsh seems to have moved around a bit, and now apparently lives in Glasgow, but she’s also an alumnus of Craigmount High School. Her Corstorphine connections don’t feature at all in her personal online biography or her Wikipedia entry. (Not that you should trust a word Wikipedia says!)

It seems Louise Welsh peaked early. Her first novel, The Cutting Room won her great critical acclaim from most of the major British broadsheets, and was nominated for the Orange Prize. Her second major work Tamburlaine Must Die based on the life of Christopher Marlowe received mixed reviews (see here). She has produced a number of short stories, and several novels since, but none of these seem to have gained the same level of attention as The Cutting Room.

Louise Welsh was also involved in (the now defunct?) Nerve magazine,* and seems to have been writer-in-residence at several locations in Glasgow.

Cymro 2: Irvine Welsh

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Trainspotting contains references to Forresters, South Gyle, St John’s Road, and more. One of the main characters also lives in the area.

Our second Welsh is Irvine Welsh. He needs little introduction. Like Louise Welsh, he too has moved around – Dublin, Chicago, Miami – to name but a few. He’s never lived in this part of town as far as I know, and many readers would associate him more with Leith and Muirhouse.

Quite a few local landmarks feature in Irvine Welsh’s novels – The Centurion Bar on St John’s Road, South Gyle Station etc. Areas mentioned in Irvine Welsh’s novels and short stories include – Clermiston, Drumbrae, Murrayfield, as well as nearby Stenhouse and Sighthill.

In fact, it’s actually pretty difficult for me to think of another writer who mentions this area as much as Irvine Welsh – apart from Ian Rankin.

Footnotes

* Not to be confused with a magazine of the same name based in Merseyside.

Picture Credits

The cover images provided are under “fair use”. I do not own the copyright on it, and trust that the authors, illustrators and publishers shall understand is used in good faith.

External links